P3 i skogen, excerpt från 2 min video, Lidingö, 2023
This work is a respons to a memory of an interview for a radiostation, live broadcasted from forest. We were sitting in the forest waiting to get live while they were reporting news of explosions in the suburbs. Human world seem so strange in the forest. I decided to let the radio broadcast berried in the soil.
Bergens tid
Bergens tid, excerpt from 20 min video performance, Havstenssund, 2023
Real estate market with a view of the sea is highly valued. The pink granite is over 900 million years old. In a second it is blasted to built new houses with a view. I dress myself with blasted granite overlooking the sea.
I see you through the Baltic sea
I see you though the Baltic sea, excerpt from a 2 min video. , 2013
Submerged under the sea I view the spectator through the water. A whole sea is dividing us. Our worlds are in different media. The brackish water of the Baltic is isotonic, similar the body and my eyes is less likely to blink.
My emotions are like molluscs, excerpt 30 min video. Emotions drive us without vertebras and accepted logic-beautiful and threatening, 2013
Origin, excerpt from a video performance, shot in the Nynäshamn harbour, Sweden 2013
Logdrive, excerpt from a 30 min video, a journey between Flen and Katrineholm in Sweden, 2003
Roadwalk, video performance, recorded at a residency at Makrolab, art/science project, Blair Atholl Estate, Scotland, 2002
Shaving the fur, excerpt from a video performance, 2001 Also performed live at the National Review of Live art and in Colchester Art centre 2002 with a see through mirror facing the audience.
Don´t leave me, excerpt from 30 min video , 2000. I fall a sleep under a tree where the camera is attached to a branch swaying in the wind, monitoring my sleep
To the residents of 65 Cedar street, excerpt from a 20 min video, Public performance for the residents of Cedar street shot by the concirerge station at 2 am through CCTV cameras and shown during to the residents as a movie in the entrance of the building, 2000